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Nomination created on September 7, 2026
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Canadian writer and comedian

Conversations about science, technology, history, philosophy and the nature of intelligence, consciousness, love, and power. Lex is an AI researcher at MIT and beyond.
Nathan Fielder matters today because his secret A24 documentary with Lance Oppenheim, You Can See Everything, about Elizabeth Holmes just premiered as Telluride’s surprise screening last night, September 6, 2026, with a teaser dropping alongside it. A24 is positioning it for an October theatrical release, so his perspective on truth, manipulation, and how we’re filmed could not be more timely. (thewrap.com)
Elizabeth Holmes’ story is a live wire in tech and culture, and Fielder’s reality bending track record means this will shape the conversation around accountability and performance in public life over the next few weeks. He has never appeared on the Lex Fridman Podcast before, which makes this a rare, first long-form conversation at the exact moment everyone is asking how he pulled this off. (lexfridman.com)
If you want Lex’s show to capture this cultural flashpoint while it is breaking, nominate Fielder now so the episode can land before the film hits theaters. Support this nomination today.
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I'm always being real.
Give @nathanfielder the Oscar for Best Doc immediately.
you cannot stop nathan fielder
YOU CAN SEE EVERYTHING, a documentary by Nathan Fielder and Lance Oppenheim. Featuring Elizabeth Holmes. Only in theaters this October.
The first cut to Nathan Fielder’s face is cinema
YOU CAN SEE EVERYTHING, a documentary by Nathan Fielder and Lance Oppenheim. Featuring Elizabeth Holmes. Only in theaters this October.
YOU CAN SEE EVERYTHING, a documentary by Nathan Fielder and Lance Oppenheim. Featuring Elizabeth Holmes. Only in theaters this October.
Suggested
You've built a career on the deadpan persona of someone who doesn't understand social norms — but if that persona disappeared tomorrow, do you think you'd still be funny?
Nathan has never publicly stated whether the comedy is separable from the character, or whether the real Nathan Fielder could hold a room without the mask. This is the identity question Lex would push hardest, and it's one Nathan has conspicuously avoided.
If the FAA had adopted your cockpit communication framework on day one, would The Rehearsal Season 2 have been worth making — or does the show only work when institutions fail?
Nathan has never publicly answered whether his art requires systemic dysfunction to exist. This forces him to choose between being a reformer who wants to solve the problem and an artist who needs the problem to remain unsolved — a tension Lex would find genuinely philosophically interesting.
You Can See Everything: Documenting a Convicted Fraudster
Fielder just premiered a secret A24 documentary about Elizabeth Holmes at Telluride — literally yesterday — and nobody has interrogated what it means for a master of constructed reality to spend three years embedded with the ultimate persona-builder. Lex is obsessed with deception and truth; this pairing writes itself.